Shooting in big, dimly lit rooms used to scare the heck out of me. I'd bring out all of my big flashes -- and borrow whatever others I could get my hands on. But still, I never seemed to have enough light to do what I wanted.
What I didn't know then was that it is usually better to let the ambient in a big room do its own heavy lifting, then tweak it with a little strobe. And by "a little," I generally mean speedlights set in the 1/8 power range, max… Read more »
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